Portal:Poetry
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Wikipedia portals: Culture · Geography · Health · History · Mathematics · Natural sciences · Philosophy · Religion · Society · Technology Poetry (from the Greek "ποίησις," poiesis, a "making" or "creating") is an art form in which language is used for its aesthetic qualities in addition to, or instead of, notional and semantic content. Poetry has a long history, and early attempts to define poetry, such as Aristotle's Poetics, focused on the various uses of speech in rhetoric, drama, song and comedy. Contemporary poets, such as Dylan Thomas, often identify poetry not as a literary genre within a set of genres, but as a fundamental creative act using language. Poetry often uses condensed forms and conventions to reinforce or expand the meaning of the underlying words or to invoke emotional or sensual experiences in the reader, as well as using devices such as assonance, alliteration and rhythm to achieve musical or incantatory effects.
Benjamin Jonson (circa June 11, 1572 – August 6, 1637) was an English Renaissance dramatist, poet and actor. He is best known for his plays Volpone and The Alchemist, his lyrics, his influence on Jacobean and Caroline poets, his theory of humours, his contentious personality, and his friendship and rivalry with William Shakespeare.
Although he was born in Westminster, London, Jonson claimed his family was of Scottish Border country descent, and this may be confirmed by the fact that his coat of arms bears three spindles or rhombi, a device shared by a Borders family, the Johnstones of Annandale. His father died a month before Ben's birth, and his mother remarried two years later, to a master bricklayer. Jonson attended school in St. Martin's Lane, and was later sent to Westminster School, where one of his teachers was William Camden. On leaving, Jonson is said to have gone on to the University of Cambridge. Gustave Doré illustration of Jean de La Fontaine's The Bear and the Gardener: "In my opinion it's a golden rule/Better be lonely than be with a fool."
James Augustine Aloysius Joyce (Irish Seamus Seoighe; 2 February 1882 – 13 January 1941) was an Irish writer and poet, widely considered to be one of the most influential writers of the 20th century. Along with Marcel Proust and Virginia Woolf, he is a key figure in the development of the modernist novel. He is best known for his landmark novel Ulysses (1922). His other major works are the short story collection Dubliners (1914) and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939).
Although most of his adult life was spent outside the country, Joyce's Irish experiences are essential to his writings and provide all of the settings for his fiction and much of their subject matter. In particular, his rocky early relationship with the Irish Catholic Church is reflected by a similar conflict in his character Stephen Dedalus, who appears in several of his works. His fictional universe is firmly rooted in Dublin and reflects his family life and the events and friends (and enemies) from his school and college days; Ulysses is set with precision in the real streets and alleyways of the city. As the result of the combination of this attention to one place and his lengthy travels throughout Europe, he became both one of the most cosmopolitan and one of the most local of all the great English language modernists.
Vulgar Latin (in Latin, sermo vulgaris, "common speech") is a blanket term covering the vernacular dialects of the Latin language spoken mostly in the western provinces of the Roman Empire until those dialects, diverging still further, evolved into the early Romance languages — a distinction usually made around the ninth century. This spoken Latin differed from the literary language of classical Latin in its pronunciation, vocabulary, and grammar. Some features of Vulgar Latin did not appear until the late Empire. Other features are likely to have been in place in spoken Latin, in at least its basilectal forms, much earlier. Most definitions of "vulgar Latin" mean that it is a spoken language, rather than a written language, because the evidence suggests that spoken Latin broke up into divergent dialects during this period. Because no one transcribed phonetically the daily speech of any Latin speakers during the period in question, students of Vulgar Latin must study it through indirect methods.
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